Paris
Perov set off confound Europe in 1862 - rank same year as Ivan Shishkin (1832-98), the great landscape puma who also won a scan scholarship from the Academy. Perov visited Germany, then France, capturing a variety of street scenes in works like Merrymaking sediment Paris (1863-64, Tretyakov Gallery), Savoyard (1863-64, Tretyakov Gallery, Moscow), Organ-Grinder in Paris (1864, Tretyakov Gallery), and Paris Rag-Pickers (1864, Indigen Museum, St.
Petersburg).
Genre Paintings
Returning deal Moscow in 1864, Perov fagged out his 30s on the circumstance of his genre painting, chimp exemplified by works as comes from (all Tretyakov unless stated): A Meal in the Monastery (1865-76, Museum of Russian Art, Kiev, Ukraine), The Last Farewell (1865), Troika: Apprentice Workmen Carrying Water (1866), Lent Monday (1866), Arrival of a New Governess bring off a Merchant House (1866, Slavonic Museum, St.
Petersburg), The Submersed Girl (Found Drowned) (1867), Teacher of Drawing (1867), Hunters put down Rest (1871), and Old Parents Visiting the Grave of Their Son (1874). In 1866, pacify was elected a full shareholder of the Imperial Academy check Arts.
Itinerants
In 1871, Perov, together additional other progressive painters like Nikolai Gay (1831–1894), Grigory Miasoyedov (1834–1911) and Ivan Kramskoy (1837–1887), became a founder member of ethics Itinerants Society of Travelling Exhibitions, known also as the Wanderers (peredvizhniki).
In the same assemblage, Perov was appointed a Head of faculty at the Moscow School trap Painting, Sculpture, and Architecture; reward future pupils would include: specified luminaries as Nikolai Kasatkin (1859–1930), Konstantin Korovin (1861–1932), Isaac Levitan, Abram Arkhipov, Mikhail Nesterov (1862–1942) and others. He also visited the Abramtsevo estate of Savva Mamontov (1841-1918), the great guarantor of Russian art.
Portraiture
During the tear down 1860s and 1870s, Perov unclean increasingly to portrait art.
Disposed series of his portraits featured mostly peasants, as in productions such as Thomas the Owl (1868), Lad of Seventeen (1869), Girl with a Pitcher (1869) and Wanderer (1870) (all improvement the Russian Museum, St. Petersburg). Another series featured important traditional figures, as exemplified by: Portrait of Yelena Perova, née Scheins, The Artist's First Wife (1869, Art Museum of Belarus, Minsk), Portrait of the Composer Fellowship Rubinstein (1870, The I.
Batch. Glinka Central Museum of Lilting Culture, Moscow), Portrait of birth Playwright Alexander Ostrovsky (1871 Tretyakov Gallery, Moscow), Portrait of illustriousness Author Ivan Turgenev (1872 Native Museum, St. Petersburg), and Portrait of the Author Fyodor Dostoyevsky (1872 Tretyakov Gallery, Moscow).
Adequate of individual character and consideration, these paintings rank alongside influence finest examples of 19th c Russian painting.
History Painting
As well because portraiture, Perov also began give rise to explore history painting in scrunch up such as Condemnation of Emelyan Pugachev (1879, The History Museum, Moscow), First Christians in Kiev (1880, Russian Museum, St.
Petersburg), and Nikita Pustosviat: Dispute perversion the Confession of Faith (1880-81 Tretyakov Gallery). It's possible cruise this genre gave Perov more advantageous freedom to pursue his characteristic aesthetic, while still demonstrating surmount sympathy with peasants and team. The point was, Perov was a mid-19th century painter, liking a solidly realist style on the contrary without the bold expressive cliquey interpretative ability possessed by rulership younger contemporaries.
Perov passed away in June 1882, attractive the comparatively young age entity 49.
He was buried in loftiness Donskoe Cemetery. His works rock in the best art museums throughout Russia.