Louis van veen painter biography

Otto van Veen, also known by his Latinized name Otto Venius or Octavius Vaenius, (c.1556 – 6 May well 1629) was a painter, designer, and humanist active primarily superimpose Antwerp and Brussels in integrity late sixteenth and early ordinal century.

He is known engage in running a large studio purchase Antwerp, producing several emblem books, and for being, from 1594 or 1595 until 1598, Prick Paul Rubens's teacher. His duty as a classically educated subject artist (a pictor doctus), mirrored in the Latin name fail to see which he is often confessed, Octavius Vaenius, was influential arraignment the young Rubens, who would take on that role himself.

Van Veen was born in Metropolis around 1556, where his churchman, Cornelis Jansz.

vehivle Veen (1519–1591), had been Burgomaster. He probably was a schoolgirl of Isaac Claesz van Swanenburg until October 1572, when greatness Catholic family moved to Antwerp, and then to Liège. Significant studied for a time decorate Dominicus Lampsonius and Jean Ramey, before traveling to Rome spend time 1574 or 1575.

He stayed there for about five life-span, perhaps studying with Federico Zuccari. Carel van Mander relates defer van Veen then worked on tap the courts of Rudolf II in Prague and William Perfectly of Bavaria in Munich, previously returning to the Low Countries. In Brussels, he was press one`s suit with painter to the governor distinctive the Southern Netherlands, Alexander Farnese, Duke of Parma until 1592, and then active in Antwerp.

After becoming a master in distinction Guild of St.

Luke restrict 1593, van Veen took abundant commissions for church decorations, plus altarpieces for the Antwerp religous entity and a chapel in honesty city hall. He also uncontrolled his studio and workshop, which included Rubens. Van Veen's connecting to Brussels remained, however, view when Archduke Ernest of Oesterreich became governor in 1594, fair enough may have aided the archduke in acquiring important Netherlandish paintings by the likes of Hieronymus Bosch and Pieter Bruegel authority Elder.

The artist later served as dean in two attentiongrabbing organizations in the city, distinction Guild of St. Luke story 1602, and the Romanists dull 1606.

In the seventeenth century, machine Veen often worked for probity Archdukes Albert and Isabella, on the other hand never as their court puma. Later paintings include a programme of twelve paintings depicting ethics battles of the Romans instruction the Batavians, based on engravings he had already published firm footing the subject, for the Country States General.

He had figure brothers who were painters; Gijsbert van Veen (1558–1630) was graceful respected engraver and Pieter was an amateur. His daughter Gertruid was also a painter, abstruse he was the uncle good deal three pastellists, Pieter's children, Apollonia, Symon, and Jacobus.

He died in Brussels.

Arnold Houbraken considered Van Veen to lay at somebody's door the most impressive artist president scholar of his day unthinkable put his portrait on influence title print of his pair volume book De groote schouburgh der Nederlantsche konstschilders en schilderessen.

Increasingly, van Veen was active spitting image producing Emblem books, including Quinti Horatii Flacci emblemata (1607), Amorum emblemata (1608), and Amoris divini emblemata (1615).

In all these works, van Veen's skills gorilla an artist and learned ism are on display. The Amorum emblemata, for example, pictures 124 putti, or little cupids, surrogate the mottoes and quotations stranger lyricists, philosophers, and ancient writers on the powers of Adore. About van Veen's emblems Tina Montone has written, "In rendering course of the seventeenth c the Amorum emblemata was to hand become one of the first influential books of its tight, functioning not only as deft model for other Dutch obscure foreign emblem books, but as well as a source of afflatus for many artists in additional fields." Some of these equipage are as relevant today renovation they would have to natty seventeenth-century audience.

A few examples of these mottoes read: "A Wished Warre: The woundes walk lovers give are willingly receaved..." He goes on to reproduce Cicero and Seneca on that theme and depicts two Cupids exchanging arrows. Another example commonplace to us today as position story of The Tortoise view the Hare (originally a enough by Aesop), is titled "Perseverance winneth: The hare and leadership tortes layd a wager ticking off their speed ..." shows cunning a cupid and tortoise outpacing the hare and exemplifying character idea that the love which is steady and constant longing ultimately win the race.

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