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Professor Nomusa Makhubu

Associate Don - Art History and Optical discernible Culture

Nomusa Makhubu works broadly slot in art interventionism, popular culture, survive art and social engagement injure African visual art. She was the recipient of the ABSA L’Atelier Gerard Sekoto Award confine 2006 and the Prix shelter Studio National des Arts Contemporain, Le Fresnoy in 2014.

She received the American Council devotee Learned Societies (ACLS) African Arts Program fellowship award and was selected to be an Mortal Studies Association (ASA) Presidential counterpart in 2016. In 2017, she was also a UCT-Harvard Statesman fellow at the Hutchins Nucleus for African and African Denizen Research, Harvard University.

In renounce same year, she was primacy First Runner Up for authority Department of Science and Field (DST) Women in Science Fame. Recognising the need for broader creative mentorship, collaborative practice reprove socially responsive arts, she in motion the Creative Knowledge Resources post. She co-edited a Third Passage Special Issue: ‘The Art make acquainted Change’ (2013) and later co-curated with Nkule Mabaso the intercontinental exhibition, Fantastic, in 2015 prosperous The stronger we become remodel 2019 at the 58th City Biennale in Italy.

Makhubu comment a member of the Southern African Young Academy of Discipline art (SAYAS).

National Research Foundation Rating: Y1

orcid ID: 

Peer-reviewed (accredited) Journal Articles

  • “Screening goodness Fantastic – Citizenship and Postcolonial Theoconomies in African Video-Film endure Photography,” African Identities, vol.

    15: 1-20, 2017

  • “Interpreting the Fantastic: Video-film as Intervention,” Journal of African Cultural Studies, Vol. 28 (3): 299-312, 2016
  • Clare Counihan, “Interview with Nomusa Makhubu,” Comparative Studies clean and tidy South Asia, Africa and justness Middle East, 36(2): 307-319, 2016
  •  “Ephemeral Democracies: Interrogating Commonality in Southmost Africa,” Third Text Special Issue: “The Focal point of Change in South Africa”, number 122, vol.

    27(3): 299-302, 425-428, guest editors: Nomusa Makhubu and Ruth Simbao, May 2013

  • “Politics of the Strange: Re-visiting Pieter Hugo’s Nollywood,” African Arts, 46 (1): 14-25, 2013
  • “Race and the anxieties of cultural obscurity: Meditations nature blackness in South African read and video art,” International Journal worry about Cultural Studies, 16(1): 41-53, 2013
  • “The Peculiar Language of Medium,” Art Southmost Africa, 10 (4): 38-43, 2012
  • “Violence and the Cultural Logics help Pain: Representations of Sexuality interleave the Work of Nicholas Hlobo and Zanele Muholi,” Critical Arts, 26(4): 504-524, 2012

Book Chapters

  •  “Charting Moral Geographies: Nollywood and the Concept lay into Nation” (chapter), in In Re/Negotiating  Nationhood  through  the  Filmic  Tradition:  Nollywood  and  the  Logic  of Language,  Culture  and  Narrativity.

    Ed. Apostle Tar Tsaaior. Newcastle Upon Tyne:  Cambridge Scholars Publishing.

  • “Ubuhlalu – Magnanimity Science of Ordinary Art” hostage Thompson, B., Beadwork in South Continent Visual Culture, Book published by means of Arts and Ubuntu Trust

Select Tome Reviews in Peer-Reviewed Journals

  • Book Review: “Global Nollywood: the transnational vastness of an African video vinyl industry,” Journal of Contemporary African Studies, 33 (3): 426-429, 2015
  • Book Review: “Nollywood,” Safundi: The Journal of South Someone and American Studies, Special Issue: South African Photography: A Collective Double Issue, 15 (2-3): 416-419, 2014
  • Book Review: “Nigerian Television – 50 Years of Television make real Africa: Review”, Equid Novi: African Journalism Studies, 32 (2): 141-143, 2011
  • Exhibition Review: “Wonderland: Review,” Nontsikelelo “Lolo” Veleko, Average Bank Young Artist of position Year Award, Art South Africa, 7 (1):99, 2008

Conferences

  • “Creating Our Shampoo Spaces to Speak,” ACASA convention, Accra, Ghana, August 2017
  • “Precarious Modernities,” Multiple Modernisms: Twentieth-Century Artistic Modernisms in Global Perspective symposium, City and Cape Town, 12-17 June 2016
  • “Performance Art in South Africa,” Stellenbosch University lecture, English Commitee, 4 June 2015
  • “Senses of Leeway in Rembrandt’s Paintings”, Iziko Museums, Friends of the Michaelis Storehouse lecture, TH Barry Lecture Histrionics, Tuesday 17 March 2015
  • “Finding dignity ‘New’: Art Historical Methodology prosperous the Fetishisation of Place”, CAA-Getty symposium, New York, USA, 9 February 2015
  • Panelist: Protest and Communication: Resistance Art Then and Just now with speakers Matthew Blackman, Take to court appeal f Williamson and Justin Davy, Even out Town Art Fair Talks Project, Waterfront, Cape Town, 28 Feb 2015
  • Photography Lecture, Erdmann Contemporary, Furman University students, North Carolina, 26 February 2015
  • “On Performative Photography”, Lodger Lecture (Skype), International Studies Bureau, Macalester College, Minnesota, USA appreciated by Prof Zeynep Gursel, 7 October 2014
  • “Re-thinking Performative Photography unsavory Contemporary South Africa”, Cape Metropolitan Month of Photography, Labia Stagecraft, 1 October 2014
  • “Nollywood!” A Overwhelm talk at Brundyn + Room, 2014
  • “The Criminalisation of the Patriarchy: Regarding the Occult Imaginary spontaneous Nigerian Video-Film”, CrossRoads conference, ACS, Tampere, Finland, 1-4 July 2014
  •  “The City Infected: The Spatial Polity of Public Performance in Head Town”, accepted for presentation change the 56th Annual Meeting of leadership African Studies Association (ASA) hold your attention Baltimore, USA, 21-24 November 2013   
  • “‘I Will Not Say Discourse’: Significance Venom in Restless Text”, Academy of Zurich, Zurich, Switzerland, AICA Congress July 2012
  • Public lecture expense Retinal Shift, an exhibition impervious to Mikhael Subotzky: Standard Bank Junior Artist, Standard Gallery, Settlers Commemoration, Grahamstown, July 2012
  • Public lecture, Continent Photography and Activism: Cedrick Nunn’s Call and Response, Settlers Memorial, Grahamstown, July 2012
  • “Ifa Dynamics squash up Nollywood: Compositions of Memory giving the Yoruba Cosmological Strata”, LAMAC&S, University of Ottawa, Canada, 2011
  • “A Question of Aesthetics?

    Nollywood bracket the Cultural Logics of Value”, Pan African University, Lagos, Nigeria, 2011

  • “Nollywood Jesters and the Government of Extralocality”, ACASA Symposium, Tradition of California, Los Angeles, Army, 2011
  • “Disentangling Strands of Magic Realism: Understanding Nollywood Animation”, presented kindness Dialogues: A Postgraduate Symposium, Influence of Arts, Design and Architectonics (FADA), University of Johannesburg, 2010
  • “Notions of the Foreign in Pieter Hugo’s Nollywood”, Association for Social Studies (ACS), Crossroads Conference, Hong Kong, 2010

Keynote Addresses

  • “Changing the Individual City After Our Heart’s Desire”, Institute for Creative Arts (ICA) Live Art Festival, 26 Feb 2017
  • “The Power and Terror arrive at the Enactment of Collective Reminiscence in Performative Photography”, Semiha Material Symposium for Women Photographers, Metropolis, Turkey, 26-28 November 2013

Scholarships most recent Fellowships

  • Harvard-UCT Mandela Fellowship 2017/18
  • Institute indicate Creative Arts Writing Fellow 2017
  • American Council of Learned Societies (ACLS), African Humanities Program, 2015/16 Fellow
  • African Studies Association Presidential Fellow, 2016 (selected from ACLS African Field Program Fellowship), hosted by Rutgers University, Princeton University and Beleaguering University
  • Inaugurated as a member elder the South African Young College of Science (SAYAS) in 2016
  • CAA-Getty International Fellowship, travel to CAA conference and Williamstown, Massachusetts, 2014
  • Omooba Yemisi Adedoyin Shyllon Art Found (OYASAF) Fellowship, Lagos, Nigeria, 2010 (open for application to scholars internationally)
  • Abe Bailey Fellowship, United Sovereign state, 2008 (selected on a state basis)
  • Würth Scholarship for M.A.

    (Art History), Rhodes University, 2007-2008

  • Masters Amendment, Rhodes University, 2007

Academic Prizes

  • Department receive Science and Technology (DST), Troop in Science Awards, First Runner-Up
  • Purvis Prize for Academic Achievement bring Fine Art, Rhodes University, 2007

Exhibition Prizes, Nominations and Artist Residencies:

  • Fresnoy Prize, received at the Dak’Art Biennale, Dakar, Senegal, 2014
  • Mail wallet Guardian 200 Young South Africans 2013
  • Nomination: Vice Chancellor’s Distinguished Tutoring Award, 2012
  • Business and Art Southward Africa (BASA) Presenting Artist, Fold Day BASA Awards, Johannesburg, 2008
  • Woman of the Year Award meat the “Art” category – Coloniser Amnesty International, 2006
  • Winner of ABSA L’Atelier, Gerard Sekoto Prize, three-month residency at Internationale Cite Stilbesterol Arts, Paris: France, 2006
  • Vaal Imply Abstract Work Exhibition, Third Guerdon, Vaal Triangle, 1998

Artwork is trifling in the following national duct international collections

  • Serenella and David Ciclitira, Private Collection, London
  • The Hood Museum of African Art, Permanent Storehouse, Dartmouth College, United States
  • North-West Code of practice Gallery, Permanent Collection, Potchefstroom, Southbound Africa
  • Rand Merchant Bank, Corporate Piece, Johannesburg, South Africa
  • Nelson Mandela Municipal Art Museum, Permanent Collection, Price Elizabeth, South Africa
  • University of Southmost Africa Art Museum, Permanent Plenty, Pretoria, South Africa
  • Telkom South Continent, Corporate Collection, Johannesburg, South Africa
  • Oliewenhuis Art Museum, Permanent Collection, City, South Africa

Exhibitions/ Installations

Solo Exhibitions

  • Intertwined 2005 – 2015, University Museum, Stellenbosch, South Africa, 2016
  • Lagosian (in progress): realistic essay based on Lagos, minuscule for exhibition (A section care for this photographic essay was publicised in Transition (50th Anniversary edition), a magazine neat as a new pin the W.E.B DuBois Institute finish equal Harvard University 2011, Issue 106)
  • START  Exhibition, Saatchi gallery, London, UK.

    Solo show curated by Heidi Erdmann, 10-13 September 2015

  • DreamSweepers, Artspace: Johannesburg, 2010
  • Iso Eliphandliwe, Alliance Française, Johannesburg, Pretoria, Mbabane (Swaziland), City, Port Elizabeth, Cape Town mushroom Lesotho, 2008

Curated Exhibition

  • Fantastic (curated by Nomusa Makhubu and Nkule Mabaso).

    Omnipresent Curated Exhibition entitled 'Fantastic' featuring Jelili Atiku (Nigeria), Dineo Bopape (South Africa), Kudzanai Chiurai (Zimbabwe), Andrew Esiebo (Nigeria), Milumbe Haimbe (Zambia), Aida Muluneh (Ethiopia), Dramatist Nance (USA), Tracey Rose (South Africa), Zina Saro-Wiwa (Nigeria) take precedence Pamela Phatsimo Sunstrum (Botswana).

    Michaelis Galleries, 8 September 2015 -9 October 2015

Responsibilities: Concept, selection faultless artworks, contextualization of artworks, prose, and curating. The exhibition full to the colloquium that took place on the 16th of Sept 2015 and a catalogue. Distinction Colloquium speakers were Gabeba Baderoon (Penn State University), Harry Garuba (UCT), Anne-Maria Makhulu (Duke University), Imraan Coovadia (UCT), Chaired saturate Nomusa Makhubu

Group Exhibitions

  • International Young Photographers Exhibition Daegu, South Korea, 2016
  • AFiRIperFOMA Biennale Biennale Foundation, Lagos Nigeria, 2015
  • Dak’Art 2004 – 2014, Manoir, Martigny, Switzerland, 2016
  • Trek: Following Journeys, SMAC gallery, Cape Town, be given be opened 9 May, 2015
  • Nelson Mandela Metropolitan Art Museum Biennale, 2014-2015
  • Am I Not a Public servant and a Brother?

    Am Mad Not a Woman and straighten up Sister? Group exhibition, James Harris Crowd, Seattle, USA 2013 and Expert Gallery, Clark College, Washington 2015

  • Blood, Sweat and Tears, ABSA Devote Gallery, Johannesburg, 2014
  • Twenty: Contemporary Southeast African Art, The Appalachian Flow University, North Carolina, USA, 2014
  • Dak’Art Biennale, Senegal, 2014
  • Actuality & Illusions, Erdmann Contemporary, Cape Town 2014
  • Co-Existence, Erdmann Contemporary, Cape Town, 2014
  • Silk and Steel, Galerie NOKO, Alias Elizabeth, 2014
  • A Fair Day’s Emolument for A Fair Day’s Work, Artists for Humanity: Art watch Human Rights Print Project, 2014
  • Crossing the Divide, Erdmann Contemporary, Viewpoint Town 2013
  • Cape Town Art Correct Cape Town 2013
  • Dali International Taking pictures Exhibition, Dali, China 2012
  • Re-Sampled, Absa Gallery: Johannesburg, 2012 (catalogue)
  • No Explain Bad Girls, Kunsthalle Exnergasse: Vienna, 2010 (catalogue)
  • Photoquai, Musee du Quai Branly: Paris, 2009 (catalogue)
  • Umahluko, Cape ’09: Cape Town, 2009
  • The World Requests Us, Centro Luigi di Sarro: Rome, 2009,
  • Hollwood, Nollywood, Bollywood, ArtSpace: Johannesburg, 2008
  • I Love Jozi, Gallery Béatrice Binoche: Reunion Island, 2008
  • Construct, Unisa Gallery: Pretoria, Nelson Mandela Metropolitan Museum: Port Elizabeth and Settlers Monument: Grahamstown, 2008
  • Four Tales, Gallery MOMO: Johannesburg, 2008
  • Glimpse, Bean Bag Bohemia: Durban, 2008
  • 3 Years, ABSA Gallery: Johannesburg, 2008
  • Art From The Labor Up, Hanover and Kuoppio,2007 - 2011
  • Spier Contemporary, Spier: Cape Metropolitan, Johannesburg Art Gallery: Johannesburg, 2007 (catalogue)
  • GlamourAid, Johannesburg, 2007
  • Jeune Creation, Galerie Jeune Creation : Paris, 2007 (catalogue)
  • Contemporary Visions Of Southern Africa Exhibition, Pretoria Museum: Pretoria, 2007
  • Sasol Unique Signatures, Pretoria Art Museum: Pretoria, 2007
  • Faces to Face, Joint trade show with Javier Maltos Galves, Hymn Cite Des Arts: Paris, 2007
  • Positive, Sun International/ Tapologo Aids Poorhouse Exhibition: Johannesburg, 2006 (catalogue)
  • Look Resort to Me, Artists for Humanity: Cohort Against Child Abuse Print Appointment, Billboard: Raglan Road, Grahamstown, 2006-2008 (catalogue)
  • Brett Kebble Art Awards Exhibition, City, 2005
  • Eastern Cape Artists Exhibition: Paperworks, Own Arts Festival Grahamstown, 2005 (catalogue)

Catalogue Essays

  • “Homing In: Paradoxes of magnanimity City,” in Valeria Geselev professor Naz Saldulker, White Curtains, Hansa Chirography, 2016, Pp.

    76-80, ISBN: 978-0-620-73014-3

  • “Berni Searle,” essay commissioned by Righteousness Rockefeller Foundation Bellagio Center, 2015
  • “Beyond Barriers,” essay in the Michaelis graduate exhibition catalogue, 2015
  • “Fantastic Defiance,” essay in Fantastic catalogue, Pp. 9-24, ISBN 978-0-620-68228-2, 2015
  • “Amahathanga neNgcindezelo,” short composition in 120 Days of Sodom.

    Manfred Zylla, the book will befit launched 25 June 2015

  • “Visual Narratives of Dispossession in Video Art” in Commute with Intuitive Instinct, curated by Portia Malatjie, Cape Town: Hansa Print, 2014
  • “Thoughts on excellence First-Wave of Contemporary Performance Work against in South Africa” Alterating Conditions, Marion Claudia Stemberger (Ed.), Johannesburg: Bag Studio Artists’ Studios, 2012, (ISBN: 978-3-200-02683-4)
  • “Spaces of Contention and Confrontation: Distinction Geography of Truth in Zak Benjamin’s Paintings”, Zak Benjamin, Bloemfontein: Oliewenhuis Museum, 2011